First of all, apologies for being scarce on the reviews lately. I have actually been churning through a ton of books I want to talk about, but it’s been a fairly hectic month and in what little free time I have outside of reading, I’ve been prioritizing my writing. I’ll do a life blog thing later on to go into some detail.
But the most recent book I read, I really want to talk about and hopefully get some people interested in.
I am talking about Peter Newman’s The Malice. It is the second book in his The Vagrant trilogy, and a wonderful book. I read and reviewed The Vagrant earlier this year and a lot of what I said about that book held true here.
I have mentioned before, but I think Newman has a gift with naming things. You would think this kind of gift would be common in fantasy and science fiction where you’re kind of making things up wholesale and need to come up with a descriptor for them, to get across certain concepts, tones and ideas to people who would never encounter them in real life. It is not common at all, and in fact I find it a major failing of a lot of fantasy in particular. Occasionally you get actual mad geniuses like Gene Wolfe spewing out beautiful prose that requires you to go digging through esoteric thesauruses to figure out what the hell he means. Elsewhere on the sliding scale you have someone like China Mieville who uses grotesque and bizarre word combinations to put uncomfortable images into your head (I will never forget reading about the limb-farms and bile-tanks of the Grindylow in The Scar).
Newman utilizes elements of both. He plays with words that don’t typically go together, and makes them work, makes you think of very disparate things and how they might physically appear or influence the tone of an object or a person.
To wit, one of my favorite things he’s come up with is a group called the Knights of Jade and Ash. I just love the taste of those words together. You don’t often find jade in the company of ash, so what on earth has drawn these two words into a singular troupe? He’s fairly sparse with his descriptions, too, so you can fill in the blanks with your imagination.
The story is a nearly textbook bildungsroman as a young girl named Vesper inherits a very dangerous weapon from her father and begins a long trek to grow as a person, a warrior and a savior (or destroyer) of a world threatened by a massive cyst in reality known as the Breach.
Honestly, a lot of the good I have to say mirrors my thoughts on The Vagrant itself, but I think this book does a bit better than its predecessor. This may be by virtue of featuring a talking protagonist, someone who has to grow and change quite a bit, instead of favoring the ronin motif of the first book. I love the Vagrant himself as a character but past a certain point you kind of knew what was going to happen; he’d be surrounded, forced into a fight, and he would decimate his foes in a beautiful, almost lyrically-written fight sequence. Vesper starts off as someone who is a bit more pure, a bit more naive in the ways of the world, but still very much willing to throw down like her old man.
I must also admit a weakness for enchanted blades, and The Malice itself is a delight. It’s explored far more thoroughly here than it was in the first book. You learn a bit about its history, its powers, its potential. It’s a scary holy weapon that will turn on you if you falter or show weakness, or will get you killed spurring you into a crusade that your body cannot yet handle. I don’t see cursed “good” swords very often; usually they’re straightforward in trading your soul, your blood or your friends for fighting prowess. Here, on the other hand, is a blade so driven to fight the forces of the abyss that it will turn you into a monster in pursuit of this divine task. The descriptions of it are brilliant too, I love the eye-pommel and the twitching wings that make up its crossguard, and the…
Well, you’ll have to read on to see what else, I hate spoiling.
All that said, definitely start with the first one. There’s a nice little catch-me-up section at the very beginning here but you’re losing a ton of context and brilliant worldbuilding if you dive in midway, even if the story will make a rough kind of sense.