I love genies, or djinn, or jinn, about as far back as I can remember. I think my first exposure to them was an extremely child-friendly edition of 1001 Arabian Nights and the original Aladdin (which was set in China (written by a Muslim guy to look exactly like an Islamic city (which is how you get characters like the Sultan of China))) that kept out a lot of the more gruesome elements. Then, of course, there was the Disney version that came out when I was about 7 years old. and is one of the first films I remember seeing at the theater. In my teens I stumbled upon Neil Gaiman, who took a much more adult approach and delved into some of the background of the race.
They’re fascinating to me because they are completely unlike anything else I’ve encountered in mythological studies. They’re a supernatural race that isn’t an existential threat, or an enemy of the regional god, or demigods themselves. They’re more like our half-remembered brothers and sisters. We were made of clay and dirt, they were made of fire and shadow. We were given the oases and fields, they were given the dark places and the glass palaces hidden in desert mirages. We see each other out the corners of our eyes sometimes. In many places where the djinn legends are prominent, they follow the same religion as the human cultures, complete with prayer rugs and singing. Even the most basic description of them from the old texts, men made of smokeless fire, is something I’ve always found evocative and striking.
I like that just like people, they aren’t good or bad by nature, they have free will and can choose to use it in the way they wish. You get good djinn who do bad things, bad djinn who do good things, and neutral ones who simply want to be left alone, just like you see in humanity.
The new anthology The Djinn Falls in Love manages to capture so many aspects of what I love about the dense and intricate folklore of these beings. I don’t think that such a thing could have been captured outside of a collection like this, because the djinn are so diverse that you need many stories to explore their many facets.
It opens up with possibly my favorite story of the book, a tale about a boy who stumbles into his mosque to find it inhabited by a congregation of strangers with flame-red hair who all fall through their prayer rugs at the end of the service, and goes from there. You have everything from mysteries, to love stories, to military thrillers to horror. Often these genres are mixed up and you’ll find several in the same story, which is tremendously fitting for the subject matter at play here.
It’s one of those anthologies where I liked some stories more than others, but I didn’t dislike any of them. If I were to re-read it I don’t think I’d skip around to favorites.
I was very appreciative of how accessible the stories were. There are some books I don’t recommend to friends unless they’re also into reading a lot of the weird and esoteric stuff I do, and like stories that require you to have a bit of that background. You could walk into this not knowing anything about the djinn and walk out with a good understanding of just how diverse the folklore around them is.
I also like how many new authors it introduced me to. Of course Gaiman’s story from American Gods still holds up remarkably well (and feels even more relevant in today’s world of immigrant and refugee crises), and Nnedi Okorafor’s delving into African djinn legends was fascinating, but I ended up with a big to-read list based on the entries of some authors I’d never heard of before. Sami Shah’s REAP is one of the creepier pieces I’ve read in awhile and I would read an entire novel set in the military-horror setting he’s created. Sophia Al-Maria’s Righteous Guide is equally creepy for entirely different reasons and doesn’t shy away from exploring the repression of women in many of these regions, and the interplay between the idea of djinn possession and female sexuality for some of the more superstitious. E.J. Swift’s Jinn Hunter’s Apprentice grabbed me way harder than I would have expected; space opera did not seem like a logical place to start exploring djinn magic but there you go.
Not all of the stories will make you feel good, but all of them will definitely make you think and give you an appreciation for an element of folklore and mythology that often doesn’t show up in western fiction unless it’s been scoured clean and bowdlerized beyond recognition.